What's My Excuse?

I think it all started when I lost the all of the data on my USB jumpdrive when Elvira, my imposing feline office-guardian, leapt off of the monitor, landed on the edge of my laptop, causing it to do a complete flip and landing on the jumpdrive inserted in the USB port when it hit the floor. The good news: the jump drive must have absorbed all of the impact when it landed and the laptop was fine. The bad news: It fried the drive... and I hadn't backed up the drive in MONTHS. I should know better. And considering that I had data on it was more valuable to me than a horde of gold buried in a rabid survivalist's back yard, I sunk into a morass of self-pity and self-loathing. The contents included: a completed book proposal, all of the data for the Fantasy and Sci-Fi JumpStart Jar tickets (which I had been wrapping up at the time of the "Leaping Cat Incident," the spreadsheet that had been tracking all of the books that I had bought or read since 2004, (which hadn't been updated in about 6 months), along with dozens of other projects in various states in completion.

I should know better. I've worked both in IT and technical writing for over a decade now, and have seen similar catastrophic data loss many times. Did I learn anything?

I spent days scouring the internet for tricks to revive the drive. I even tried to solder it back together (which appeared to be successful), but all it did was make the broken drive hot enough to burn my hand. But losing data is like losing someone close to you... and you must go through the grieving process mentioned in Elisabeth Kubler-Ross' book, On Death and Dying

• Denial - You can fix this jump drive enough to get the data off of it. All I need is it to let me copy a few files... You're not so stupid as not to have backed this up this week... right?!?
• Anger - Damn cat! How dare you jump on MY computer! POS jumpdrive! How could you break after such a perfect flip and then crashing down to the floor so far from the desktop above!? Haven't they tested these types of scenarios in Quality Control?!?
  
• Bargaining - Please, please, PLEASE let me have backed this up to an obscure folder somewhere on the external HD... I PROMISE to set up extensive alarms and reminders in my Outlook and Palm Pilot to nag me incessantly to back-up if you'll JUST LET ME RETRIEVE MY FILES THIS ONE TIME! Please?
  
• Depression - I can't believe I was sooooo stupid. Those files were a ticket to the best-seller list for me... I'll never be able to create anything as brilliant as this again...
• Acceptance - Now?

Starting All Over Again...

I’m digging out of my long funk at last. It has been about 2 years now since I’ve really been actively engaged in any writing projects and that is a lot of lost time. With a new little one that we adopted from China last summer, and my wife going back to grad school, I’ve had to cut back my teaching schedule as well.

So this is going to be like starting all over again and re-discovering my writing identity. As well as finding out what Grist’s new identity is as well. This will be a process which we will go through together I think as I use the blog to drive content for the newsletter once again. Drop me a line. Let me know what you are up to.

What I do know is that Grist for the Muse will be part good info that I find out on the net… both writing-related and non-writing related… it may have some ranting and raving, maybe a little unsolicited opinions about the world and life in general. I’ll try to make it visually appealing with an occasional picture or two. But mostly it will be about me, the writing life, and trying to figure it all out.

The Time Traveler's Wife by Audrey Niffenegger

My review

rating: 2 of 5 stars
I had very high expectations for this book. Several people I know read it and loved it, and I love anything that has to do with time travel so this seemed to have all of the elements of a favorite book right there. But it fell flat.

Maybe this is a guy vs girl thing. Chicks think this story is romantic, finding the perfect, eccentric, man who just happens to be a fantastic lover... but he disappears from time-to-time, oh and he can win the Lotto... at will. I don't know, maybe I need to get the female perspective on this book. Maybe I'm missing something.

Things I Liked

• I liked how the story was told in short, out of sequence segments, it built the characters based on the relationship between the two of them in different times.
• As a writer, I can appreciate how difficult it had to be to tear this story apart, stitch it back together, and make sure that it fit and had no loose ends.
• Claire and Henry are likable viewpoint characters.
• The book is engaging. You want to keep turning pages to find out what happens next, expecting something big... but the problem is, nothing big ever does happen.

Things That Bothered Me

• There's something kinda creepy about you traveling back in time to visit your future wife at age 6.
• The author really glossed over some of the more interesting aspects of time travel, like how he can't change something that has already happened. She presents it as he's just powerless to act (sort of like losing your voice or being unable to move in a dream). It is a cop out. I also find it strange how he can time travel to be with himself... isn't there paradox issues to deal with here... I mean I really was trying to suspend disbelief here, but it was a bit hard to believe. In any good sci-fi or fantasy you need to clearly delineate the rules that govern the fantastic power and she didn't do that here.
• Not a lot of conflict throughout the story. Other than the inconvenience of the time traveling, but the characters mostly all got along with few issues between them.
• Why is Henry a librarian? He doesn't have to work a day in his life, yet he works there.
• Why does Claire's family accept Henry so easily considering the age difference, the class difference, and the just plain weirdness that surrounds him?
• Why does Henry change his hard-driving, womanizing lifestyle so easily after meeting Claire? It seems as if he would not change overnight, and that could have created some much needed conflict for the novel.
• It ended too abruptly. The loose ends between Claire and Gomez, Henry's last letter to Claire... did she heed his advice? I can't tell.

View'>http://www.goodreads.com/review/list/42982?utm_medium=api&utm_source=blog_review">View all my reviews.

Muse Reviews: The Dip: A Little Book That Teaches You When to Quit

The Dip: A Little Book That Teaches You When to Quit by Seth Godin

My review

rating: 2 of 5 stars
Seth Godin is a marketing demi-god. And he knows a thing or two about everything else as well. He is one of those rare individuals who deserves the title of visionary. His blog at http://sethgodin.typepad.com/ is a must read if you are in the workplace as an owner, manager or cubicle grunt.



And he knows what’s best for this ADD brain of mine. Keep it short (a mere 96 small pages with big print) and keep it focused. The core idea the entire book centers around one dilemma that each of us has faced in our lives at one time or another: Do you quit? Or do you gut it out, hoping that things get better? And how do you know when to make this decision. This book focuses on one key principle: the dip AKA that “long slog between starting and mastery.” You know what this is… the difference between the guy who is the resident golf pro at a country club and a member of the PGA tour, or the writer who has finished a manuscript and has gotten it rejected, but with a personal note to try again, and the agented, published writer.



The dip creates scarcity. That is that it weeds out the people who aren’t that serious about what they want, and creates the demand for the skills and products for those that make it through the dip to the other side. Godin insists that you need to be able to determine what is a dip and what is a dead-end, and to make sure that you don’t waste energy on the dead-ends. Sticking with something because “winners never quit” is a stupid strategy, because it is inherently untrue. We all are quitters in some way.



Godin has some interesting ideas (as always) but I’m not sure I’m in 100% agreement with him here. I understand the need to strive for excellence. But, if I can’t be number 1 or 2 in a market, it is time to get out?!? Not sure about that one. If I play Football Tycoon on Facebook, should my goal be for the Poo-Flinging Sock Monkeys to get trophies for being #1 or #2 in several categories? What if you take a job (or are in a dead-end job) that simply meets the needs of your family for now, even if it is not going to inspire you or catapult you to the top of the organization? I think there is some value in “settling” in the short term and acknowledging that there are different definitions of success.



It is a good book that makes you think about how you spend your energy and how to decide when to cut your losses and run.




View all my reviews.

Do as I SAY… Not as I DO… Part 1

I'm a screw up. I teach writers, yet for the last year I've been ignoring all of those rules that I pound into their heads during every class, presentation or contact with them.

Rule #1 -- Write Every Day

Haven't done it. Guilty as charged. No contest. Lock me up and throw away the key. I'm trying to get back into it, but it is HARD once you've been away from it for a very long time. Even writing these words is agonizing… the critic is sitting here on my shoulder screaming at the screen…

"You call that original?!? 'Lock me up and throw away the key' is SUCH a cliché…"

And then uses other less direct methods of undermining my attempt here:

"Do you really think anyone is out there who is still listening? Who really cares? The number of blogs reportedly doubles every six months and you've been entirely out of the game for over a year… that's 4x the number since your last entry…"

More sinister still:

"Come on… do you really want to admit to your audience that you've had a little lapse? It undermines your credibility as an expert you know… and who wants to buy a book from a WRITER WHO ISN'T WRITING?!?"

Answer: I do. If I can't admit that I face the same challenges that they do each and every day when they sit down at the computer or pick up and pen and notebook, then how can I understand them?



This year has been a tumultuous one to say the least. We've added a 2 year-old little girl from China to the family and had all of the paperwork, visits to various state agencies for fingerprinting, document certification, and letters to the Chinese government, the U.S. government and then there was the preparation for the trip… the gymnastics of financing and making sure that the other kids and pets were cared for while we were in China… Then there was the trip itself, a glorious life-altering perspective for me, my family and my world-view. Now that she's home, she has endless doctor's appointments, tests, and shots to catch up on… all of which takes time. And she's still in a period of adjustment. She doesn't sleep well at all during the night. She has been whisked half a world away, been placed in her 3rd home (1. Orphanage; 2. Foster home 3. With us) in less than 6 months with a bunch of people who don't speak her language… could you imagine how frustrating that would be?

But this hasn't been the only thing that has thrown me off this year... computer problems... computer problems resulting in critical data loss... I'm struggling to rebound from this over a year later. We're talking major creative efforts here... but more about that later.

So as it stands, I’m trying to get going again… I’m teaching classes in November and trying hard to get the practice going again.

Muse Review: How to Become a Famous Author Before You’re Dead

How to Become a Famous Author Before You’re Dead; Ariel Gore; Three Rivers Press; 2007; 265 pages; Trade Paper

I borrowed this book from the library for two reasons: 1) I heard Ariel Gore on the Writers on Writing podcast http://writersonwriting.blogspot.com/ and she was a fun, engaging speaker. 2) How could you not like the title of this book?

The title sets the tone for the book which is casual with an anarchist streak. Her advice, presented in short, packed sections (most of which are no longer than 3 pages long), crackles with energy. She also supports her beliefs with quotes, details from the lives of other writers, and interviews with writers that she admires.

Ms. Gore shoots out of the gate with a roar, advising all writers to write at all costs, because as her inspiration for writing the book, her friend Alison Crews (who died of a seizure at age 23), never got the chance to do so. Here is some of her advice for the student who complains that she cannot find the time to write:

“If you don’t have time to write, stop answering the phone. Change your e-mail
address. Kill your television. If you don’t have a baby, have one. If you have a
baby, get a sitter. If you work too much, work more. If you don’t work enough,
work less. If there’s a problem, exaggerate it… The shock of the new—shake
yourself awake. There is only this moment, this night, this remembrance rolling
toward you from the distant past, this blank page, this inspiration yielding
itself to you. Will you meet it? You don’t need money and a room of your own, you need pen and paper…”

Within the Q&A style interviews with other authors, each of which ends with a writing assignment for the reader, Ms. Gore doles out a plethora of good advice. (Sorry, Ariel, the word might be stupid, but it is a fun way to say “a whole buncha.” Pleh-thuh-raa! Plethora. Don’tcha just love how it rolls off the tongue?) Many of the authors she interviewed encountered a lot of resistance from the traditional publishing industry and fought through it to become literary stars.

I think the best part about this book is that it radiates energy like you’d expect of a lit star. Every page crackles with impatience and raw willpower. Do it now. Don’t wait for tomorrow or someday. Do it now! The book jumps from chapters with practical writing advice (i.e. Write; Fight for Your Time; Get Your Heart Smashed, but Just Once or Twice), to the do’s and don’ts of publishing (i.e. Be Nice to Interns; How to Piss Off an Editor; Be an Anthology Slut) and to, of course, brazen guidelines for self promotion (i.e. Demolish Arrogance; Grab the Mic; Stand Out on the Corner in a Gorilla Mask and a Pink Tutu).

How to Be a Famous Writer... is as much about the business of writing as it is about the writing process. Without promotion, you can write works of utter brilliance that will be read by no one, so Ms. Gore encourages us (typically extremely introverted) writers to get out there and learn how to tap into our inner diva/lit star, or as she so cleverly puts it our “superhero alter ego,” and use it to help us produce work and share it with our audience in however we can.
This book is entertaining, offbeat and filled with inspirational advice. Check it out!

Rating: **** (Buy on Sale/Discounted)About Ratings: ***** -- Well Worth it at Full Retail Price; **** — Buy on Sale/Discounted; *** — Buy Used; ** — Borrow It from the Library; * — Waste of a Good Tree

New Flash Writing column posted on flashquake.org

My latest Flash Writing column has been posted on www.flashquake.org. It discusses the insideous ways of the inner critic or "monkey mind." Check it out.